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Archive for the ‘Projects’ Category

The City Limits in photos

I left Singapore with the most beautiful rush. The City Limits performance, a culmination of six months of collaboration with fourteen incredible Singaporean artists, was a highlight, not just of my year but of my life. One of those times when I know exactly why I write, perform and work with other artists. Here are a few moments…

Performing 'Condo', a performance piece I wrote with Jun Hanzer. It features a poem, a pedal looper and Jun's video projections, and is written in the voice of a condominium being constructed.

I had to learn how to use the pedal looper to perform (and write) the piece!

The City Limits explored Singapore (and its limits) from all kinds of strange and upside-down angles. This is an image from 'Seasons', a piece I collaborated on with Charlene Shepherdson, Joe Nair, Daniel Tan, Jun Hanzer, Bani Haykal and Ila, merging music, words and images. Singapore has no seasons in the temperate sense. What are its own seasons then?

I sang on stage for the first time in a long while. Working with so many talented artists in different art forms made it possible to try new things and surprise myself...

The City Limits crew: Joe Nair, Daniel Tan, Sharda Harrison, Charlene Shepherdson, Rae Lim, Shaun Koh, Ng Yi-Sheng, Chong Koh You, Sean McMenamin, Bani Haykal, Ila, Jun Hanzer, Kash Cheong, Marc Nair (who brought us all together) and me.

Word Forward supported the City Limits project, and the final performances took place at Goodman Arts Centre, Singapore on 22 and 23 July 2011. Photos by Shaun Koh and Wen Ai.

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Over the past few months, I’ve been part of a team at the British Council Singapore, scheming, building, writing, testing, re-testing and clocking up screen-time to create Writing the City, an online community for new, emerging and established writers from Singapore and beyond.

It’s an exciting project for me. Writing Communities are very important to me – I’ve been part of the Vineyard – an international community for poets run by Jacob Sam-La Rose – for several years, and it’s absolutely essential to my writing process. The encouragement from other poets, the honest and thoughtfully given feedback and the sharing between emerging and more experienced writers are things I couldn’t do without. Writing the City is much bigger in scope and encompasses all genres of creative writing, but I hope that its members will be able to feel the benefits I have from being part of a writing community. I’ve written a little about this on Birkbeck’s Writers’ Hub.

One of the best things about Writing the City is the panel of experienced writers from Singapore and the UK that supports it. These include Singapore Literature Prize-winner Suchen Christine Lim, UK novelist Jeremy Sheldon, poet/playwright Ng Yi-Sheng and Julia Bell, author of the Creative Writing Coursebook. Lim & Sheldon have created a series of six short films on ways to begin ‘writing the city’, with their own reflections on writing, excerpts from stories by themselves and others and creative challenges to the audience. A new film will be featured on the site each month from March. There are also articles, interviews, writing tips and educational materials to look forward to.

Writing the City launches today and anyone can sign up: civiclife.sg/writingthecity. For Valentine’s Day, we’re running a one day writing competition, City Loves, for the most creative four-line love poem or 140 character love story. To enter, click here. You can also visit the Civic Life blog, where I blog about goings on at Writing the City.

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Letterbox in Melaka, Malaysia

For the past year, poet Karen McCarthy Woolf and I have shared a ‘creative correspondence’, writing letters to each other which inspire and feed into our writing processes. Our letters have flown between different locations, crossing London, Europe and now Asia. Later this year they’ll be flying to Egypt, where Karen has a residency coming up. During the year, we also blogged about our letters on Karen’s experimental website Open Notebooks, sharing images, poems and insights into how letter writing influences our creative writing. The blogging took a rest for a while, but our letters continued. Now, we’re back to the online side of an equally offline project. Read the most recent post at www.opennotebooks.co.uk

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A collaborative picture from the first Pistols & Pollinators workshop

Last year I was invited by poet Jacqueline Saphra to take part in Pistols & Pollinators, a project that brings visual artists and poets together to work on joint artworks, run by Accident & Emergence. Everyone on the project came together for a day in November, to share ideas, get to know each other and make some collaborative art and poetry. After that, artists and poets were paired. I’m collaborating with Anna Sexton, an artist, photographer, life-coach and lady-of-all-creative-trades. Currently, I’m in Geneva, working on my first poetry pamphlet (more about that soon), so our work is coming together through skype, parcels in the post and also our brand new shiny blog: CollaborARTing. Take a look for more…

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It’s beautiful when someone you admire asks you to work with them. Karen McCarthy is one of my favourite London poets, and this week we’ve embarked on a creative correspondance – sending letters to each other in an exchange we hope will prompt new poems for both of us. This is part of Karen’s Open Notebooks project with Spread the Word, – a blog where she explores the process of making poems, by scribbling and collecting thoughts, words and images in a virtual space, joined by other writers and poets along the way. Today I received my first letter from Karen and wrote my first post on her blog. Visit www.opennotebooks.co.uk to have a read…

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Just before September hits, I thought it’d be nice to round up the ‘year’ (I still seem to think in academic years) by looking back on what I’ve been doing over the past twelve months. It’s certainly been a year of new things – my first out of full time education for a start. I’ve worked with some hugely inspirational people, in particular Jacob Sam-La Rose, who’s been my mentor since September 2008. It would take many more words to convey just how much I’ve gained from this relationship, but the number of times his name pops up below gives an idea of just how many doors he’s opened for me…

The London Teenage Poetry SLAM 2009
From January to June, I worked as Project Administrator for the London Teenage Poetry SLAM. Run by education charity Lynk Reach and Artistic Director Jacob Sam-La Rose, this year’s SLAM gave 12-15 year olds from 11 London schools the chance to work with an experienced poet for five months and compete in a SLAM Final at the Albany. Working closely with Jacob, I was involved in pretty much every aspect of the project and was able to gain a real sense of how an educational poetry programme of this scale works. Every year, the Highest Scoring Team gets to visit Chicago for a week in November….and this year, guess who gets to go too?!!

Fresh Text @ Spread the Word
Fresh Text is a cross-genre group for writers aged 17-25 that I started running last year with support from London literature agency Spread the Word. This year we’ve been meeting every other Thursday for workshops, sharing, play and general experiments in writing. In July, writer and actor Dean Atta commissioned us to write pieces in response to a track by DJ Halo, which we performed at PenPals, a networking event for emerging writers at Battersea Arts Centre.

Barbican Young Poets
I’ve learnt a lot about poetry and teaching this year. From March – July, I assisted Jacob Sam-La Rose on a new youth poetry programme at the Barbican. The 14-19 year old poets we worked with are seriously talented people. One of the best parts of the programme was getting to visit Barbican shows and exhibitions to write poems in response to art and performance. I’ve loved all the education work I’ve done this year, but Barbican Poets was something special. Everybody really wanted to be there and to push themselves and their writing.

Slow Down London
Moving from poetry into creative letter writing, I ran a Snail Mail Workshop at Foyles, Charing Cross as part of the first Slow Down London Festival in May. The idea was to see what happens when people pick up a pen to communicate instead of texting, emailing or instant messaging. Participants wrote letters to friends, important objects, fictional characters and themselves and discussed how they feel about writing and communication. Slow Down London and Foyles have invited me to run a series of these workshops in autumn 2009. Watch this space…

I also co-ran the London Canal Write, a creative workshop and walk along Regent’s Canal with WRITELondon’s Jasmine Ann Cooray.

Poetry in Schools:

Erith School Residency
My first official ‘residency’ in a school, shared with Jacob Sam-La Rose and Kayo Chingonyi. I taught five whole days of lessons for years 7 – 11. When I performed my poem ‘We Can Still Dance’ to my first class of 12 year-olds, I knew I’d never be scared of performing in front of adults again!!

Pod Club @ Nower Hill High School
I led a series of poetry sessions on the themes of bullying, gangs and sexism for an after school group for 11-16 year-olds from different schools in Harrow. This was part of a wider project which culminated in a whole day of poetry with Jacob and myself and a CD of students’ poetry.

Little Ilford SLAM
An intense all-day SLAM with Year 10s at Little Ilford School in Newham, working alongside Sifundo, ShortMAN, Rosie Knight and Chicagoan poets David Gilmer and Adam Levin. The day started with a room full of reluctant teenagers and ended with some really striking performances.

Graveney School, Tooting
Another whole day of poetry for Year 10s, focusing on identity and working alongside poets Charlie Dark, Polar Bear and Inua Ellams and hip hop artists Curtis James and Maxwell Golden.

Shadowing
To prepare myself for the challenge of teaching, I shadowed Jacob Sam-La Rose on a number of projects including a term of poetry at Morpeth School in Bethnal Green and the Young Cultural Curators project for PRU students at the Horniman Museum and Abbey Manor College.

Workshops @ the Albany
As well as working part time in the Albany Box Office, I’ve been involved with the creative side of things there too. I ran a poetry and performance workshop for young people with Yemisi Blake for the Albany Open Day in March and Spoken Beats, a workshop on writing in response to music for the Summer Arts Season 09.

UrbanWords
Since June I’ve been Project Assistant for UrbanWords, a literature consultancy specialising in writing and regeneration run by writer Sarah Butler. You can read more about this on the forum I helped set up: www.shapingplace.ning.com

So, those are the things that have been occupying me over the past months… Recently, I’ve been taking some time out and focusing more on my writing. I’ll keep you posted.

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What’s been taking up my days, and why have I disappeared slightly over the last month? Well, one reason is that the London Teenage Poetry SLAM, a beautiful and time-worthy project I’ve been working on since January, is moving into its final stages. On 27 June, it’s the SLAM Final, where students from 11 secondary schools across London showcase their poetry and spoken word in the fiercest youth poetry SLAM of the year. More about that later…

But before that, there’s another SLAM event I’ve been putting my mind to. “What’s Next”: The 2009 Senior SLAM is a mini-SLAM for emerging poets who “graduated” from the London Teenage Poetry SLAM in previous years:

‘What’s Next?’ The 2009 Senior SLAM

Lister

Ever wondered what happened to the student-poet stars of the Lynk Reach London Teenage Poetry SLAM? This year, the SLAM legacy continues as ten talented young poets take to the mic for the 2009 Senior SLAM, all hoping to win fame, kudos and a performance slot at this year’s SLAM Final in June.

Contestants come from different schools and different years of the project; what they share is a passion for words and a desire to keep on writing and performing. Competition will be fierce as poets are given the chance to shine in two rounds of performance, watched by a panel of poetic experts: Jay Bernard, Charlie Dark and former SLAM contestant Rosie Knight. The event will feature guest slots from inspirational performers on the London poetry scene.

Teachers, poet-coaches and students from previous years of the project will take over the Rich Mix Bar for a reunion and celebration of SLAMs past and present. If the London Teenage Poetry SLAM ever meant anything to you, you need to be there!

‘What’s Next?’
Date: 31st May
Time: 6.30pm
Price: FREE
Venue: Rich Mix, 35 – 47 Bethnal Green Road, E1 6LA
Directions: www.richmix.org.uk
Nearest tubes: Old Street or Liverpool Street
Website: www.londonteenagepoetryslam.net
Image: Students performing at last year’s SLAM Final

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From 24th April – 4th May 2009 I’ll be taking part in Slow Down London, a brand new festival that urges Londoners to experiment with taking things slowly. 

 

On 2nd May, I’ll be teaming up with WRITELondon‘s Jasmine Cooray for the London Canal Write – a creative writing workshop that meanders along London’s canals, with time to ponder, write, share and think about our city in new and different ways….I’m feeling summery just thinking about it. I’ve ordered some good weather. The workshop starts at Warwick Avenue Tube Station at 11am. See the Slow Down London website for details.

The other workshop I’m running is something entirely new for me. It’s a Snail Mail Workshop on 25th April, dedicated to the slow art of writing letters. For someone who’s grown up in the age of email, I’ve written a lot of letters – I’ve just never thought of this as something other people would be interested in. But since I decided to run the workshop all sorts of people have started talking to me about it, from friends and family to a journalist from the Evening Standard. It actually seems that people are bothered about letters. Many of the people I’ve spoken to are convinced that we say things in letters that we would never say in an email and are excited about the possibilities of just sitting down to write. This has also made me excited – people are often a bit reluctant to think about writing a poem, but everyone knows they can write a letter. This makes the creative potential of letter writing something well worth experimenting with. The way I see it, because letters have been outdated by email, texting and instant messaging, we can make them into something else. If letters are no longer an essential means of communication (and no one can argue that they are) then what can they be used for?

In the Snail Mail workshop I’ll be exploring these questions and giving everyone a chance to play with new ways of looking at letter writing as something creative. It’s free, and will take place at Foyles, Charing Cross on Saturday 25th April 2pm – 4pm. To book, contact: events@foyles.co.uk.

As well as the workshop, over the next few weeks I’ll be posting some of my thoughts and findings about letters on the blog. Hopefully I can get hold of a scanner and show you some of the letters I’ve received in the past. One of the things I love most about letters is how random and rambling they are. You can’t cut and paste in a handwritten letter. I’ll see if I can pick out some examples of this from my letter stash. I remember my then 13 year-old sister writing me a letter while she was living in Germany that ranged from her thoughts about German school to her teacher’s facial hair and some cookie cutters she wanted to buy.

To see Slow Down London (and some mentions of my letter writing escapades) in the news, take a peek at the Financial Times, The Times and look out for an upcoming letter writing feature in the Evening Standard over the next week or so….

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